Practice
My practice is grounded in displacement, understood as an existential condition rather than a social or geographical one.
I work from a persistent sense of being out of place, related to time, loss, aging and the impossibility of fully translating experience into language or image.
Displacement
Traces, Silences, Repetition
Writing & Images
I work mainly with poetry and photography, without establishing a hierarchy between media or fixing formats in advance.
I understand poetry as a fragmentary and non-explanatory use of language. The image functions as an ethical decision about focus, color, and absence.
Word and image do not illustrate or confirm each other; they exist in tension.
In my work, displacement does not operate as a theme to be represented, but as a condition that shapes perception and attention.
It appears through temporal distance, erosion, repetition, or absence, affecting both what can be articulated and what remains outside language.
I am interested in working with what is not always visible: remains, silences, traces, repetitions, incomplete memories, solitude, aging, forgetting... and the anticipation of death.
I consciously avoid over-explanation and closed meanings.
My background is academic, but I am in a deliberate transition toward an artistic and literary practice.
I use theory in an instrumental way, as a tool for thinking, not as an identity or an end in itself.
My full academic CV in PDF format can be downloaded here.
Related to Theory
I am currently developing long-term formative projects, both communal and based on extended displacement.
These projects function as learning laboratories rather than as finished works. They allow for a gradual radicalization of my practice, without resorting to forced gestures or uncontrolled chaos.
My aim is to build a coherent but open artistic voice, able to sustain uncertainty and to resist premature closure.